Photos: A Cup of Zen TeahouseSwedish summer can really be warm when it does, and this is one of the defficulties I encounter at the teahouse. The warmt can be mind blowing. Specially when in my chinese silk blouse, it is just impossible to concentrate on details when performing tea ceremony.
So during summer we arrange an outdoor setting, where it´s cooler on half shadowed area and where breeze blows comfortably.
I choose the color that is cool and soothing. I thought the blue and white porcelain with black underneath board looks and feels cool enough. A hard underneath is also more stable to hold gong fu cha porcelains.
As it is just within our teahouse garden, this arrangement is practical enough for us. Although on far away outings, where it is impossible to bring such hard board underneath in a car, a cloth underneath is best. For best inspirational reading, I recommend you to search among the informative posts of Teaparker, The Teamasters, and La Theiére nomade, where many outdoor tea settings and tips on which teas are suitable can be read about. I´ll also try and post some outdoor cloth/soft underneath settings we have later.

I enjoy lovely white and blue outdoor settings during summer, as it could feel like one is cooled off with spring water, as one sits down in this setting and drink those exquisite teas. In all arrangements I also consider the mountain, valley/land and the sea, as well as the heaven, man and earth principle, which I learned from my grandmother, when she used to teach me embroidery.

Matching colors is as important as matching tea and food together. Harmony and balance are the keywords I always follow. I take importance in these details, to make my guest feel at home and warmly welcomed. White, blue, black and green are in harmony, I add a touch of purple in form of a flower, to induce some form of life in these other stillful colors. While the brown bamboo center piece and tea utensils plays a neutral role between the conflicting blue/black ( water) and purple ( fire), and to create reality in the whole arrangement.
I tried to find the right combinations in this arrangement, hoping to create comfort, beauty and enchantment yet realistic and sincere. I really hope I succeeded, because I admit my failure to induce reality in my arrangements most of the time. This is one important thing I still have to learn in tea arrangment, and always thankful when some realistic influences do get into my way and learning process, as I really need it. It´s not much as to my arrangements are being too unstable, I mean, but rather they do need more influence of reality above all, I think.